Vivaldi, aware of his pupil’s vocal limitations, had adjustments made to the original libretto for Griselda after much insistence to Goldoni. While Anna was not the most outstanding and accomplished singer (she considered her voice weak), she was accomplished as an actress.

During his travels he met Anna Giró who became his vocal student and a member of his entourage. Vivaldi began seeking recognition as a composer and travelling lightly in 1718. The most elaborate work Vivaldi composed for Pieta was the oratorio Juditha triumphans. Vivaldi did return to Pieta in 1711 and in 1716 he was appointed maestro de’concerti in 1716. Some believe that his capacity as teacher created a redundancy as his students became so accomplished and capable that they, instead, became the teachers of the younger musicians during their time at Pieta. During his lifetime, however, no other violin teacher was ever hired. His tenure at Pieta was cut short, however, as his position was eliminated because of the economy of the time. His duties quickly expanded to involve the maintenance and acquisition of instruments, composing new works for the students to perform, as well as teaching many other instruments beyond the violin. The concerts at Pieta were a focal point in the Venetian social calendar drawing many members of nobility as well as travelers. In 1703, Vivaldi obtained his first official post becoming the maestro di violino at the Pio Ospedale della Pieta in Venice- an establishment dedicated to the musical training of orphaned, abandoned and indigent children which specialized in the training of girls who demonstrated musical promise. It is believed that Vivaldi received his first instructions in music from his father and his earliest public performances were as a violinist in Christmas services at St Marco in 1696.

Between 16, Vivaldi was trained for the priesthood at the local churches of St Geminiano and St Giovanni in Oleo while continuing to live with his family in the parish of St Martino. While the life of Vivaldi’s father is pieced together from his name appearing in documents around Venice, it is believed that he became an accomplished violinist, had composed an opera, and even had his hand in the management and production of some Venetian operas.

Vivaldi, while very idiosyncratic and defiant in his compositions, still managed to gain a wide fan base during his life.īorn in 1678, the eldest of nine children, Antonio Vivaldi was the son of a violinist trained as a barber. Vivaldi blurs the lines between modes, composing in a musical “grey” area, builds upon cadential fragments, and often composed with instruments in contradiction of one another. He was extremely flexible in his use of the flexible sixth and seventh degrees of the minor scale, often embracing the augmented second as a melodic feature even in ascending lines. Vivaldi’s musical language is distinctive containing many occurrences of Lombardic rhythms (a repetitive pattern where a short note is followed by a long note) and a preference toward syncopation. He is thought to be the one who laid the foundation for the culmination of the Baroque concerto as well as a pioneer of orchestral program music. Italian composer Antonio Vivaldi was one of the most original and influential composers of his generation.